Nesta semana conheci uma iniciativa liderada pelo músico Henrique Filho, o Reco do Bandolim. O Espaço Cultural do Choro em Brasília tem concepção arquitetônica de Oscar Niemeyer e pretende valorizar não apenas o choro, mas a diversidade de manifestações da autêntica MPB. O projeto conta com uma área de 2150 m2, uma casa de espetáculos, prédio anexo com oito salas de aula e centro de memória. Em plena quinta-feira pude conferir o show com casa lotada do instrumentista Ulisses Rocha (foto), mais uma oportunidade para a divulgação do curta-metragem de Patápio Silva. Para mais informações, acesse http://www.clubedochoro.com.br/
This week I met an initiative led by musician Henry Son, the Reco's Mandolin. The Cultural Space of crying in Brasilia has architectural design by Oscar Niemeyer and seeks to enhance not only crying, but the diversity of manifestations of authentic MPB. The project has an area of 2150 m2, a playhouse, enclosed building with eight classrooms and memory center. On Thursday I was able to fully check out the show with the packed house musician Ulisses Rocha (pictured), plus an opportunity to publicize the short film Patápio Silva. For more information, visit http://www.clubedochoro.com.br/
This week I met an initiative led by musician Henry Son, the Reco's Mandolin. The Cultural Space of crying in Brasilia has architectural design by Oscar Niemeyer and seeks to enhance not only crying, but the diversity of manifestations of authentic MPB. The project has an area of 2150 m2, a playhouse, enclosed building with eight classrooms and memory center. On Thursday I was able to fully check out the show with the packed house musician Ulisses Rocha (pictured), plus an opportunity to publicize the short film Patápio Silva. For more information, visit http://www.clubedochoro.com.br/
